Safe Credit Union Performing Art Center
SAFE CREDIT UNION PERFORMING ART CENTER
Dlr Group
ARCHITECTS
Dlr Group
ARCHITECT
Adam Strauss, Karl Eicher, Patrick Langford
LANDSCAPE ARCHITECTURE
The Hla Group Landscape Architecture
PRINCIPAL IN CHARGE
Paul Westlake
DESIGNER
Dennis Bree
PROJECT ARCHITECT
Mike Rudolph
CIVIL ENGINEERING
Nv5
LEAD DESIGNER
Peter Rutti
COST ESTIMATING
O'connor Construction Management
PROGRAM / USE / BUILDING FUNCTION
Theater
MANUFACTURERS
Dri-Design, Vitro®, Amico Architectural Metals, Bagatelos Architectural Glass Systems, Meyer Sound, Milliken, Series Seating, TopAkustik, Yellow Goat Design, Zahner
ACOUSTICS
Jonathan Hopkins
PHOTOGRAPHS
Michael Grimm
AREA
132000 ft²
YEAR
2022
LOCATION
Sacramento, United States
CATEGORY
Theater, Renovation, Extension
English description provided by the architects.
Opened in 1976, the SAFE Credit Union Performing Arts Center was a professional performing arts center in dire need of transformation.
The aging brutalist structure stood closed off from view and separated from the surrounding urban fabric.
With aging infrastructure, the building needed a comprehensive modernization to meet the escalating requirements of contemporary performance and to present a new face to the public.
The renovation and expansion open the building to the surrounding urban fabric and bring Sacramento's rich culture of trees into the building.
The addition of new lobbies directly engages with the sidewalk allowing pedestrians to see the activity within to showcase the arts as a community asset.
In the evening, the luminous lobbies become beacons to anchor the pedestrian streets nearby.
A material palette of transparency contrasts with the former façade's opaque concrete and creates a welcoming presence at the pedestrian level.
A lacy scrim providing dappled light reminiscent of a tree canopy surrounds the formal lobby at the south and continues to the north as cover to an outdoor room to host outdoor events, movie nights in the park, or act as a community living room.
Major renovations to the audience chamber and orchestra pit included the installation of the largest electro-acoustic enhancement system in California, transforming an acoustically poor and visually confusing interior space into a warm, inviting, acoustically superior performance space.
The building is considered wholistically and common concepts of dappled light are re-used throughout in structure, shading, interior materials, and lighting - connecting to the arboretum landscape across the street.
The shading strategies reduce heat gain and glare while promoting natural daylighting and views.
The project is re-imagined to be more inclusive and reflective of the community it serves by providing new, smaller performance venues where local artists can be engaged and highlighted.
The renovated auditorium has brought universal access to sightlines and auditory experiences.
