Harbourside Canopy
HARBOURSIDE CANOPY
B+P Architects
ARCHITECTS
B+P Architects
LEAD ARCHITECT
Jeff Tsai, Yisin Lin, Jason Xu, Ray Chang
STRUCTURAL ENGINEERING
Dynas Engineering Consultants Co., Ltd.
ELECTRICAL, PLUMBING, HVAC ENGINEERING
Hung To Engineering Consultants Co., Ltd.
CONSTRUCTION
Ching Sung Construction Co., Ltd.
TIMBER CONSTRUCTION
Fure Jang Enterprise Co. Ltd.
LIGHTING DESIGN
Io Lighting Design Co., Ltd.
PHOTOGRAPHS
Studio Millspace
AREA
YEAR
2025
LOCATION
Hsinchu, Taiwan
CATEGORY
Public Architecture, Market
English description provided by the architects.
SITE AND SETTING
The central structure of the project is the fishing market, a landscape pavilion composed of sheds, walls, berms, and trees. This open volume connects the fishing activity at the dock with the inland marketplace.
The north-facing concrete wall, running parallel to the pier, anchors the structure while buffering against strong winds. Earth berms and windbreak forests further stabilize the environment and create a layered transition between interior and exterior.
The city envisions this space as a direct-sale fishing market that combines fixed-net operations, retail fish stalls, and educational programs to celebrate and promote the region's fishing culture.
HARBOR LIFE AND EVERYDAY RHYTHMS
As one enters the port, a series of familiar elements comes into view: wind turbines stand in the distance, while rows of Melaleuca trees and linear steel sheds line the seawall in a consistent pattern.
These elements are arranged along the harbor edge, forming a repetitive and recognizable sequence that defines the visual and functional character of the waterfront. Together, they reflect the spatial rhythm and operational structure of the fishing port.
The sheds, embraced by vegetation, provide crucial shelter from monsoon winds and rain. Together with the docks, they form a system of labor: mending nets, drying them in the sun, and offering a shaded place to rest.
Even the roadside becomes part of this working landscape, doubling as a net-drying platform. Architecture, nature, and occupation merge in a quiet choreography.
THE MARKET: WHERE HARBOR BECOMES LANDSCAPE
The central structure of the project is the fishing market, a landscape pavilion composed of sheds, walls, berms, and trees.
This open volume connects the fishing activity at the dock with the inland marketplace. The north-facing concrete wall, running parallel to the pier, anchors the structure while buffering against strong winds.
Earth berms and windbreak forests further stabilize the environment and create a layered transition between interior and exterior.
The Classroom—facing both the harbor and the market—allows visual transparency and movement to flow freely, letting the sounds and sights of fishing become part of the learning and shopping experience.
Set upon the site like permanent tools of labor, concrete trays, fish cleaning tables, circular fish pans, and temporary vendor stalls are organized according to the logic of the fishing process.
Their arrangement reflects the practical sequence of unloading, sorting, and selling.
Overhead, a steel-beam crane structure spans the working zone, guiding the spatial sequence.
A timber-framed roof shelters the core, channeling rainwater to the ground to form small shallow pools—spaces that invite gathering, reflection, and pause.
The dialogue between timber and concrete, light and mass, forms the architectural identity of the market.
ENVIRONMENT AND VISUAL CONNECTIONS
Movement through the site is guided by layered views and soft transitions. From the outer road, one can peer through tree branches into the market activity beneath the shed.
Along the southern slope, the Melaleuca Forest and grasses offer shade, filter the wind, and shape resting spaces with informal seating.
Within the site, visual connections unfold: from the harbor through the classroom, from the dock toward the market, and from shaded paths into sunlit clearings. The experience is one of continuous arrival and subtle immersion.
The fishing market has become more than a place of sale—it is a harbor anchor, a rest stop, and a community service station.
It serves the local fishing crews, the indigenous village, and passing travelers along the highway and bike path. The shed acts as a threshold: a place where activities begin, pause, and meet.
By gently dividing space and framing everyday scenes, the project turns fishing into a visible and meaningful experience.
The architecture doesn't impose; it supports, frames, and reveals—offering a platform where landscape, labor, and life quietly intersect beneath trees, wind, and sky.
