A House Looking to A Cedrus Tree

A House Looking to A Cedrus Tree

Cedrus Studio

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

ARCHITECTS
Cedrus Studio

LEAD ARCHITECT
Mohammad Mehdi Saeidi, Donya Forghani

GRAPHICS
Maryam Dabiri, Sanaz Shabani, Ghazal Lahouti

LANDSCAPE ARCHITECTURE
Cedrus Studio

DESIGN TEAM
Shadi Hajian, Sanaz Shabani

CONSTRUCTION SUPERVISION
Masoud Vand Hatami, Farhad Nikfaraz

TECHNICAL TEAM
Mahsa Masoumzadeh, Kamyar Tolo Behboud, Shahbaz Shaheli

CONSTRUCTION
Cedrus Studio

PHOTOGRAPHS
Mohammad Hosein Hamzehlouei

AREA
590 m²

YEAR
2024

LOCATION
Iran

CATEGORY
Houses, Refurbishment

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

English description provided by the architects.

This renovation project is located in Alborz Province, on a 1,150-square-meter plot beside a river and a decades-old Cedrus tree.

The original structure—an unfinished villa dating back more than 50 years—featured a load-bearing wall system and covered an area of approximately 590 square meters.

The project now serves as a recreational residence for a family with two daughters and their spouses.

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

Nature was the project's most influential design driver.

The house is situated between the solid presence of the mountains to the north and the flowing river to the south, under a vast open sky.

The central concept was to welcome nature inside the house, allowing sunlight, water, wind, and vegetation to flow gently through the space in slow, circular motion.

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

The Cedrus tree acts as the symbolic anchor of this experience, both as a natural landmark and as a constant presence throughout the design.

Strict zoning regulations prohibited any new construction or vertical extension.

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

Yet the existing building posed major challenges: low ceiling heights, disconnected floor levels, and structural limitations.

To resolve these issues, the design introduced two strategic voids—one beneath the roof ridge and another in the living room—to create spatial verticality, open views toward the sky, and strengthen the relationship between different floors.

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

While the gable roof was preserved in its silhouette, the interior volumes were redefined through a series of intersecting arches, drawing inspiration from the vaulted geometry rooted in Iran's architectural heritage.

The original structure was reinforced and unified with a steel frame. In the second basement, the foundation was lowered by 90 centimeters, increasing usable floor height.

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

Point loads were redistributed with new support systems, and existing columns were extended, freeing up the plan and enhancing spatial fluidity.

Material selection aimed to create warm and comforting atmospheres.

Handmade brick—deeply embedded in Iran's architectural collective memory—was chosen as the primary material, linking inside and outside and offering a tactile sense of familiarity.

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

Curved interior lines echo the soft contours of the landscape and integrate with the arched spatial geometry of the building.

The Cedrus tree reveals itself in a sequence of visual moments: first as a soft shadow on the stairs, then as a silhouette behind an arch, and finally as a full presence in the courtyard.

This progression fosters a deeper emotional connection between the inhabitants and their natural surroundings.

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei

The façade design draws inspiration from the grain of pine cones scattered by the wind, translated into textured brickwork and perforated metal louvers on the southern elevation.

While the house sits in a context with little visible Iranian architectural heritage, the use of arches subtly reclaims that lineage, forming a contemporary dialogue between memory, place, and nature.

A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei


A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei
A House Looking to A Cedrus Tree
© Mohammad Hosein Hamzehlouei


A House Looking to A Cedrus Tree
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A House Looking to A Cedrus Tree
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A House Looking to A Cedrus Tree
Exploded Diagram
A House Looking to A Cedrus Tree
Structure Hierarchy Diagram


A House Looking to A Cedrus Tree
2nd Basement Floor Plan
A House Looking to A Cedrus Tree
1st Basement Floor Plan
A House Looking to A Cedrus Tree
Ground Floor Plan
A House Looking to A Cedrus Tree
Landscape Plan