Poodom Deqin Meri Hotel
Poodom Deqin Meri Hotel
BUZZ/ Büro Ziyu Zhuang
ARCHITECTS
Buzz/ Büro Ziyu Zhuang
LEAD ARCHITECTS
Ziyu Zhuang
CLIENT
Deqin Meri Poodom Hotel Management Co., Ltd.
CONSTRUCTION
Guangdong Chuanao Construction Engineering Co., Ltd.
INTERIOR DESIGN
W.design
VI DESIGN
Hesign
INTERIOR CONSTRUCTION
Guangdong Chuanao Construction Engineering Co., Ltd.
LANDSCAPE DESIGN
Mind Studio
WRITING
Ziyu Zhuang, Vanessa Wang
LIGHTING CONSULTANT
Lihuo Lighting Design (Chongqing) Co., Ltd.
PRINCIPAL DESIGNER
Ziyu Zhuang, Zhengdong Qi, Ye Yang
DESIGN TEAM
Ya Wen, Chuanni Peng, Dan Liang, Tianyuan Zuo, Yiping Zhang
DRAWINGS AND DIAGRAMS
Yicheng Gao, Yunpeng Xu, Mengzhao Xing, Yahan Xu, Jing He, Fengyi Zhang
CONSTRUCTION DRAWINGS
Shanghai Rusifu Architectural Design Co., Ltd.
FACADE CONSULTANT
Cayenne Architectural Consulting Co., Ltd
PHOTOGRAPHS
Shengliang Su
AREA
7300 M²
YEAR
2024
LOCATION
Diqing Tibetan Autonomous Prefecture, China
CATEGORY
Hotels
Text description provided by architects.
Perched at 3,600 meters on the Wunongding Viewing Platform east of the Meri Snow Mountain, the Poodom Deqin Meri hotel faces the sacred Thirteen Peaks of Meri, where a hundred-mile tapestry of snow-capped summits unfolds across the horizon.
Framed by the Baima Snow Mountain at its back, it is cradled between two towering alpine ranges. To one side, a sheer valley plunges hundreds of meters down, nearly vertical, toward Deqin County.
In such a natural setting, any exaggerated architectural form would appear disruptive. Thus, Poodom Hotel was conceived as a structure in harmony with its environment—shedding symbolic gestures to root its essence in the site's physicality and spirit.
It emphasizes architecture's role as a mediator between nature and culture. The spatial design is not an exercise in form-making, but an attempt to forge a connective medium that amplifies the land's inherent energy, transforming it into an immersive inner experience.
The architecture extends horizontally, mirroring the mountain ridges, while its pure hues and locally sourced materials dissolve into the Tibetan landscape.
Through staggered levels and rotated volumes, it weaves open and intimate spaces together, blurring boundaries between inside and out.
Sightlines and light interplay dynamically within, crafting a "vertical flowing garden" where spatial narratives unfold.
Moreover, the design externalizes experiential space-making into an independent yet fluid circulation, creating seamless transitions between architecture and nature, interior and exterior, near and far.
It guides movement as a ritual—a sensory pilgrimage where occupants dialogue with the mountains, transforming mere habitation into reverence.
Like an assemblage of experiential fragments, the hotel frames nature as a living canvas, a "vessel" for the alpine panorama.
Within, guests encounter shifting perspectives of the peaks, their ever-changing moods reflected in the architecture's seasonal transformations—ephemeral yet eternal.
Ultimately, Poodom Hotel offers more than shelter: it is a vehicle for coexistence, embodying a philosophy where humanity and wilderness converse in silent, sacred harmony.
