Stones Venue Public Shelter
Stones Venue Public Shelter
Associated Architects
ARCHITECTS
Associated Architects
PHOTOGRAPHS
Nicolò Galeazzi
CLIENT
Consorzio Produttori Marmo Botticino Classico
PARTNERS
Comune Di Brescia, Comune Di Botticino
TEAM
Nicolò Galeazzi, Martina Salvaneschi, Mariachiara Cocchiararo, Claudia Crotti, Paola Federici, Nicole Tombini
ARTISTIC INTERVENTION
Francesco Paterlini
STRUCTURE
Opera Mista, Opera Mista, Marco Zanardelli
SUPPLIERS
Bresciaferro Srl, Gruppo Faustini, Servizio Gru, Luciani Trasporti – Servizio Gru
COMPANIES
Cave Carli Srl, Cooperativa Operai Cavatori Del Botticino, Eredi Martinelli Spa, Euro Mas Srl, Lombarda Marmi Srl, Marini Marmi, Marmi Ghirardi Srl, Marmi Classic Botticino Srl, Porfido Pedretti, Repen Marmi Di Bauce Fortunato, Terreni&coa Srl
SPONSOR
Gb Costruzioni, Gruppo Faustini, Loud, Transvecta Srl
AREA
350 M²
YEAR
2024
LOCATION
Italy
CATEGORY
Installations & Structures, Public Architecture
Text description provided by architect.
Stones Venue is a public shelter built, in Brescia, within a former sand mining site, now transformed into a green area for the city: Parco delle Cave.
The project stems from the desire of the Consorzio Produttori Marmo Botticino Classico, in agreement with the Municipality of Brescia, to build a public project in an area, symbolic of quarrying activity—honoring the main stone varieties that define the territorial and geological identity of the cities of Bergamo and Brescia.
The process leading to the project's realization lasted almost five years and involved eleven companies, each of which donated a discarded stone block from its own production, totaling nine different types of stone.
Three from Bergamo (Arabescato Orobico, Ceppo di Gré, and Nuvolato) and six from Brescia (Breccia Aurora, Breccia Damascata, Breccia Oniciata, Fiorito Chiaro, Marmo Classico di Botticino, and Porfido).
The roof structure consists of nine monolithic pillars made from different stone varieties, along with one additional pillar in Marmo di Botticino Classico with a Ceppo di Gré graft—a sculpture by artist Francesco Paterlini, symbolizing the union of the two cities within a shared territory.
The pillars, anchored to the ground with steel plates, support a steel roof that serves as both a material and architectural memory of the industrial structures that once defined this former mining site.
Stones Venue has been conceived as a public gathering space where people can find shade and shelter, but also as a place of memory—honoring the territory and all those who, over the centuries, have worked to shape and define it.
