2 IVANs, 2 HOUSEs
Hamaan Architectural Office
ARCHITECTS
Hamaan Architectural Office
CLIENT
Hamidreza Ziayi
MANUFACTURERS
AGT Highglass, Alfam, Handmade Brick, Hermes, Knauf
LEAD ARCHITECT
Behrouz Shahbazi
DESIGN TEAM
Kimia Mohammadi, Zahra Shokrollahi
PROJECT MANAGER
Kimia Valiani
PRESENTATION TEAM
Masih MoshgForoush, Sharareh Pooladsaz, Kimia Mohammadi, Faraz Tahmasbi, Ahmad Mousavian, Fahimeh Mohammadi
ELECTRICAL ENGINEERING
Eng. Davoudi
STRUCTURES
Eng. Khosravi
MECHANICAL ENGINEERING
Eng. Jahangiri
GRAPHIC
Ehsan Agharokh, Zahra Amini
CONSTRUCTION
Mehdi Abkhofteh & Partners
SUPERVISION
Hamaan Studio
PHOTOGRAPHS
Mohammad Soroosh Jooshesh
AREA
950 m²
YEAR
2023
LOCATION
Isfahan, Iran
CATEGORY
Apartments
Text description provided by architect.
Prototypes are analogous to embryos in different species: While having initial similarities, they singularly transform and create under the effect of rich impulses of life.
The creation and transformation are resulted by different relation forces. Therefore, we cannot lose track of these relationships with the impulses of life, while using prototypes.
Otherwise, we repeat a dead body: an object in itself, a "tradition" struggling in an absurd rhetorical war with other symbols.
In "2 Ivans, 2 Houses" project, Ivan as a prototype is a reinterpretation of typical single-Ivan houses of Iran's central plateau.
It is not just a matter of form, but also what this form makes possible. Ivan is a minimal, efficient pattern, responding to a situation in which houses severely need to have spatial diversity.
Spatial diversity is a necessity for an autonomous house in the contemporary real-estate regime of space production.
Such articulation well creates a consistent set of open, semi-open, and closed spaces that fit in the immanent forces of contemporary houses in Iran.
It neither squanders the land nor is subject to stereotypes. It fits well in circulation and provides us with sights. It is not just ornamental.
As architects, we always seek to find and develop these so-called embryos. It is always a matter of transforming these embryos to living creatures in their immediate context.
Historically, Ivan has created many spatial relations, and for this is why it can be applied to contemporary design. In the project, we have two "Ivans" on two levels.
The first one is called the "sightseeing Ivan". It is on the ground floor and provides the duplex with emergent visual relations with the neighbors, yard, and trees.
The second Ivan is called the "entry Ivan". It is on the second floor and provides the second house with different functions such as movement and pause in circulation.
These two Ivans share a common genealogy but have different emergences that create two different tastes, two different houses within the same structure.
The Ivans have to share a dialogue to fit into a coherent structure. A dialogue about the earth, the sky, the neighborhood, inside and outside. In this way, Ivans can be considered as spatial extensions.
An extension that integrates the view of the existing trees into the living space inside the house and keeps the spatial connection between the neighbor yard behind and the facade. In this project, Ivan is the pivot of making the links possible:
the links between the garden pit, the reflective link between inside and outside, the link with the sky, and the neighbors' trees.
