City Clusters
Butler Wiltshire
ARCHITECTS
Butler Wiltshire
CLIENT
City Of London (Maria Herrera), Ec Bid (Claire Dumontier-marriage)
LEAD ARCHITECTS
Ed Butler, Daniel Wiltshire
PLANTING SPECIFICATION
Fflo
MANUFACTURERS
Darwen Terracotta, Fallen & Felled
PHOTOGRAPHS
Butler Wiltshire - Ed Butler, Architectural Photography By Simon Kennedy
YEAR
2023
LOCATION
London, United Kingdom
CATEGORY
Installations & Structures, Wellbeing
Butler Wiltshire has recently completed a series of seating and planter clusters for the City of London, made from terracotta and repurposed timber.
The sculptural, tessellating modules have been designed to respond to the City’s unique architectural heritage and provide much-needed pockets of seating and greenery within the high-rise Eastern City district.
The geometry of the modular design derives from the Coats of Arms of the historic City Livery Companies, which are typically a 5-sided crest or shield.
These symbols are synonymous with the City and can be seen throughout the district, typically on buildings, gateways, and street furniture. From the archetypal shield motif, a subtly altered, tessellating tile geometry was developed.
This was extruded to create vessels of six different heights, with the same basic form used to create both seats and planters.
As a counterpoint to the engineered glass and steel of the City towers, the materials used are natural, tactile, and hand-crafted.
The bases are ceramic, a reference to the clay on which the City is built, with the distinctive terracotta color taken from the Roman bricks and pottery found by archaeologists in the Bishopsgate, Fenchurch St, and Lime St areas. The bases were hand-produced by Darwen Terracotta, a specialist in architectural ceramics based in Blackburn.
The three lower modules form seating, with varying heights to cater to different access needs and individual ergonomics. The timber seat tops have been crafted by Fallen & Felled from repurposed fallen urban trees, sourced from within the confines of Greater London. A wide range of species, including oak, elm, yew, hornbeam, and sycamore, bring a variety of unique grains, color,s and texture to each cluster.
The asymmetric nature of the pattern and variation in module heights produces a varied, organic language that avoids the appearance of clear repetition. It can be adapted to a multitude of different site sizes and conditions, allowing for endless reconfiguration, and the careful arrangement of the clusters can either emphasize an orthogonal pattern or generate softer undulating edges. The three taller modules are planters, filled with sculptural and seasonal planting.
