Beijing Architectural Design and Research Institute Co., Ltd. 北京市建筑设计研究院股份有限公司

Window of Kaizhou Museum

Window of Kaizhou Museum
© Xing Fu

Window of Kaizhou Museum 

BIAD + ZXD Architects

LEAD ARCHITECT
Zhu Xiaodi

CLIENT
Deyang Kaizhou Investment And Development Co.

INTERIOR DESIGN
Biad Decoration Engineering & Design Co., Ltd, Shi Shanshan, Yang Zilin - Biad Decoration Engineering & Design Co., Ltd

LIGHTING DESIGN
Puri Lighting Design, Hu Fang, Li Yahui - Puri Lighting Design (Puri)

DESIGN TEAM
Jia Qi, Luo Pan, Sun Xiaoqian, Sun Biaozhu, Wang Ye, Ma Yibo, Li Xiaoying, Wang Xiaodong

MANUFACTURERS
Chengtai Stone Industry Co, Dianyue Building Materials Technology Co., Wangqing Stone

PROGRAM
Cultural Architecture / Museum & Exhibit / Exhibition Center

EQUIPMENT
Cui Yue

STRUCTURE
Chen Han, Yin Fei

ELECTRICAL
Bi Ya Chong

PHOTOGRAPHS
Xing Fu, Jinbo Han, Zxd Architects

AREA
7820 M²

YEAR
2023

LOCATION
De Yang Shi, China

CATEGORY
Museums & Exhibit, Exhibition Center

Window of Kaizhou - The Kaizhou New Town Planning Exhibition Hall -

The Kaizhou New Town Planning Exhibition Hall (Window of Kaizhou) is located within the start-up zone of the Kaizhou new town, adjacent to the intersection of the two axes of the new town.

Window of Kaizhou Museum
© Xing Fu
Window of Kaizhou Museum
© Xing Fu

The horizontal axis is the People’s Canal Park, which is the core landscape belt of the start-up zone. The vertical axis is the Zhongjiang – Jintang expressway, which is the belt connecting the new urban agglomerations.

Being located in the leading development zone of the new town means that the exhibition hall is not only an important public space of the new town but also the most direct display window of the new town to the outside world.

Window of Kaizhou Museum
© Xing Fu
Window of Kaizhou Museum
© Xing Fu

This exhibition hall is located on the east of the Zhongjiang – Jintang expressway, with a total land area of about 14,000m2. It is adjacent to a lotus pond on its west, and the hill on its east.

The People’s Canal runs through the top of the hill. This site is thereby characterized by local natural landscape features. There was a path extending from the hill on the east into the valley of the village, which had been expanded as the main road to the exhibition hall.

Window of Kaizhou Museum
© Xing Fu
Window of Kaizhou Museum
© Xing Fu

The site takes advantage of the landscape features both of the natural landscape (lotus pond) and the human landscape (the People’s Canal). The beautiful lotus pond is a continuation of the rural landscape of traditional agricultural society, while the People’s Canal is the witness to human production activities in a specific historical period.

The architect believes it is necessary to reconsider the relationship between humans and nature when developing the new town, which shall respond to the specific environment of the site and activate the existing space-time elements to achieve an accurate design intention.

Window of Kaizhou Museum
© Xing Fu
Window of Kaizhou Museum
© Xing Fu
Window of Kaizhou Museum
© Xing Fu

According to the functional requirements, a 20m-high and 100m-long building is placed on the site as the basic volume. A bridge is designed that goes through the building and connects the lotus pond and the hill, which forms a cross dialogue with the building volume.

A large-scale window opens in the middle of the building volume forming an outdoor public space, strengthening such dialogue, and highlighting the concept of the window.

The bridge through the window allows visitors to establish a connection between the lotus pond and the hills, using the building as a window to view nature.

Window of Kaizhou Museum
© Xing Fu
Window of Kaizhou Museum
© Xing Fu
Window of Kaizhou Museum
© Jinbo Han

The landscape field, which is not originally grand and unique, is visually constrained and released through the observation of the window, it hints at the existence of the landscape scene and enables the visitor to gain a new psychological experience.

The whole project is comprised of the four-story exhibition hall as the main body and a staff canteen on the north side. The exhibition hall consists of the south volume and the north volume, both of the volumes are equipped with independent entrances and exits as well as a vertical transport system.

The entrance hall on the first floor is the key space that connects the south and north volumes and also serves as the main entrance and reception. On this floor, the conference area and exhibition storage area are located in each volume.

Window of Kaizhou Museum
© Jinbo Han
Window of Kaizhou Museum
© Jinbo Han
Window of Kaizhou Museum
© Jinbo Han

This building is divided into two volumes from the second floor which are joined together again at the roof level. The “window” in the middle is an open outdoor platform.

On the north volume, the second to the fourth floors are the office areas. On the south volume, the second to the third floors are the planning exhibition areas, and the fourth floor is the office area.

Window of Kaizhou Museum
© Jinbo Han
Window of Kaizhou Museum
© Jinbo Han

The window openings are mainly on the east elevation to provide sufficient light and ventilation for the different functional spaces. The west elevation serves as the main display surface while avoiding western exposure with a “solid” surface.

The volume of the stone forms the outdoor terraces which are set back layer by layer. The interlaced steps connect with the terrace of each floor and become a concise and continuous path that goes through the facade toward the roof platform.

Window of Kaizhou Museum
© ZXD Architects
Window of Kaizhou Museum
© Xing Fu

Therefore, it can relieve the vertical transport for the evacuation purpose and reduce the redundancy of the interior transport space, and in the meantime, weakens the oppressing sensation of the building volume and brings more changes.

More importantly, the design further mobilizes the movement path of the visitors and allows them to experience the building and the surrounding environment from different perspectives in the vertical direction and at the height of the roof. Therefore, it can be considered a platform through which visitors may witness the urban development process in a realistic scenario.

Window of Kaizhou Museum
© Xing Fu
Window of Kaizhou Museum
© Xing Fu

Visitors are walking, pass through and climb in this building. By integrating humans, architecture, and nature into a picturesque scene, it becomes the liveliest urban stage and “a window of the future” that shows the landscape and culture of the Kaizhou new town.


Window of Kaizhou Museum
Plan - Ground Floor
Window of Kaizhou Museum
Plan - Second floor
Window of Kaizhou Museum
Plan - Site
Window of Kaizhou Museum
Elevation


Window of Kaizhou Museum
Section A-A
Window of Kaizhou Museum
Section B-B


Window of Kaizhou Museum
Concept

Window of Kaizhou Museum
Form


Window of Kaizhou Museum
Inscribed by Mr. Pan Gongkai


Window of Kaizhou Museum
Location


Window of Kaizhou Museum
Site 01
Window of Kaizhou Museum
Site 02

Beijing Architectural Design and Research Institute Co., Ltd. 北京市建筑设计研究院股份有限公司
T +86 10 88042183
Beijing Architectural Design and Research Institute Co., Ltd. 北京市建筑设计研究院股份有限公司
No. 62, Nanlishi Road, Xicheng District, Beijing, China 北京市西城区南礼士路62号
ZXD Architects 朱小地建筑工作室
M +86 18601956912
ZXD Architects 朱小地建筑工作室
85 Dajiang Hutong, Dongcheng District, Beijing, China 100005 北京市东城区大江胡同85号吉州会馆