The Ridge - V&A Waterfront
The Ridge - V&A Waterfront
StudioMAS
ARCHITECTS
Studiomas
LANDSCAPE ARCHITECT
Jaco Jordaan | Planning Partnership
HEALTH AND SAFETY CONSULTANTS
Ecosafety
ENGENEERING
Arup
INTERIOR DESIGN
Paragon Interface
INTERIOR DESIGNERS
Claire D Ardonate, Jacques Prinsloo | Paragon Interface
PROJECT MANAGEMENT
Mace
QUANTITY SURVEYOR
Smith & Co
LIFT CONSULTANT
S4e, Felipe Vinarge | S4e
MAIN CONTRACTOR
Gvk
LANDSCAPE ARCHITECTURE
Planning Partnership
LAND SURVEYOR
Geomid, Ralph Middleton | Geomid
ACOUSTIC CONSULTANT
Slr, Andrew Wade | Slr
PROJECT DIRECTOR
Sean Mahoney | Studiomas
ENGINEERING TEAM
Tessa Brunette, Jolyon Smith, Shikar Takurpersad, Anthony Graham-jolly | Arup
TECHNICAL DOCUMENTATION
Carla Soudien, George Viljoen, Boni Makwe | Studiomas
PROJECT MANAGER
Tim Cooper | Mace
CLIENT
V&a Waterfront
COMMISSION AGENTS
Yogesh Gooljar | Pj Carew
COMMISSIONING AGENT
Pj Carew Consuting
TOWN PLANNING
Neil Schwartz | V&a Waterfront
CLIENTS
Mark Noble, Kirsten Goosen, Frannete Ventura | V&a Waterfront
PROJECT QUANTITY SURVEYORS
Erika Smith, Richard Suter | Smith & Co
CONTRACTORS
Chris Maughan, Charl Bruce | Gvk
PHOTOGRAPHS
Hyper Structure
YEAR
2020
LOCATION
Cape Town, South Africa
CATEGORY
Public Architecture, Office Buildings, Commercial Architecture
The design involved a close collaborative process between studioMAS and Arup. The result is a rational design in which architecture and engineering are thoroughly integrated, having been developed side by side from the earliest conceptual stage. The façade, executed using Cross Laminated Timber (CLT), gives the building its distinct identity.
The site, previously a parking lot, is rectangular and orientated at a slight diagonal from north-south. The pleated timber façade corrects this by folding the timber or glazing onto a direct north-south which assists with the sun control strategy.
The carbon savings involved in the use of CLT are significant. It is local, renewable, and highly durable. It requires no additional finishes to the interior or exterior, no insulation, it’s a room temperature material, and ultimately it allows for the timber façade to improve with time as its weathers and ages.
Cooling is achieved using primarily natural ventilation. Windows are either manually or automatically operated.
The deep rectangular floor plates are centrally split with a naturally ventilated street/atrium which allows for cross ventilation and natural lighting.
This central nat-vent street has a row of large high-level drums that act as both chimneys and light scoops (automated windows at the roof level control air movement through drums).
The dimensions of the floor plates, the central street, the façade design, and TABS (thermally activated building system i.e. chilled water pipes cast in floor slabs) make it possible to control the temperature of the building passively for approximately 82% of the year.
The drums and central street define the interior space: it’s where people circulate, meet, and interact.
This street and entrance piazza also speak to the larger urban plan which will unfold as the precinct develops, which opens connections between the V&A Waterfront and Greenpoint and which will ultimately contribute to creating a more integrated connected city.
The building's success relies on a behavioral change from the corporate user – for example, the opening and closing of windows.
This relationship between the inhabitant and the outside has a direct impact on energy/carbon consumption, fresh air, the clothes you wear to work, one's connection to the outside environment, & ultimately happiness levels.
