Carpenter’s Square House

Carpenter’s Square House
© Derek Swalwell

CARPENTER’S SQUARE HOUSE

Architects EAT

ARCHITECTS
Architects EAT

LANDSCAPE ARCHITECTS
Mud Office

BUILDERS
McKerlie Builders

MANUFACTURERS
Cosentino, Anchor Ceramics, Aneeta Windows, Artedomus, Faucet Strommen

STRUCTURAL ENGINEERS
R. Bliem & Associates

PHOTOGRAPHS
Derek Swalwell

YEAR
2020

LOCATION
Melbourne, Australia

CATEGORY
Houses

Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell

Taking cues from the existing solid red brick Edwardian house, the materiality of Carpenter’s Square House is a redistribution and reinterpretation of the existing:

Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell

the 2 courses high dusty purple brick band on the facades is now amplified to become the floor and walls inside the house; while the white render on top of the red bricks is now extended to be the façade of the extension.

We often ask ourselves: Do we stand outside of our house to stare and admire it or do we spend most of our time indoors when we are at home? How does a house become a home?

Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell

How do we justify spending the budget externally when contextually it doesn’t serve any purpose?

The triangular site is sandwiched between Caulfield Racecourse and the intersection of 3 major train lines to Caulfield Station, its street interface is harsh with a 2-meter-high paling fence shielding it from the public’s eye, giving it a sense of refuge.

Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell

We have taken this context and placed the extension right back away from the street, allowing ample garden space and a pool as the buffer to the harshness.

The exterior is simply composed of a pure form that responds to economic practicality (budgetary constraint) and it has a utilitarian quality, with a lack of any formal expression or decorative details, in a very Adolf Loos manner.

Conceptually on the plan level, the existing house is hugged by the L-shaped new addition, like a traditional carpenter’s square - it is ‘sharp’ like the long steel blade, while the ‘soft’ timber handle houses the master bedroom.

Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell

The interior, like many Loos’ buildings, is finished with rich textures and materials, executed in fine craftsmanship and precision.

The concave battened ceiling is informed by the existing: with the fretworks of the entry, the verandah is extruded along the length of the house to form the volume of the interior.

The pool is placed so that it’s connected to the new interior space visually, providing peace of mind for our clients when their younglings are in the water.

Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell

Situated on the northern axis of the formal sitting room in the existing house, when the sunlight hits the water, it reflects a beautiful moving pattern onto the restored pressed metal ceiling.

The brief originally called for an “out-the-back first-floor extension with a new double garage”, we have given them a long single-story addition with an attached carport that is opened to the pool and the garden.

Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell


Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell
Carpenter’s Square House
© Derek Swalwell