Slate House
Austin Maynard Architects
ACOUSTIC CONSULTANTS
Cogent Acoustics
PROJECT TEAM
Andrew Maynard, Mark Austin, Mark Stranan
BUILDER
Swell
CATEGORY
Houses
DEVELOPER
Lucent
PROJECT MANAGERS
Lucent
PLANNING CONSULTANTS
Ratio
LANDSCAPE ARCHITECTS
John Patrick Landscape Architects
TRADITIONAL LAND OWNERS
Bunurong People Of The Kulin Nation
LOCATION
Brighton, Australia
STRUCTURAL ENGINEERS
Kpa
ACCESS CONSULTANTS
Access Studio
SERVICES ENGINEERS
Form
PHOTOGRAPHS
Tess Kelly
BUILDING SURVEYORS
Florenancig Smith
ESD
Giw Environmental Solutions
TRAFFIC CONSULTANTS
Ratio
MANUFACTURERS
Gaggenau, Wienerberger, Apex Stone, Cavalier Bremworth, Dulux, Oliveri, Ross Gardam, Spanish Del Carmen Slate, Tiento Tiles, Watersino
Slate House is a new three-level, high-performing, high-end apartment building of 14 spacious homes, in the bayside suburb of Brighton in Melbourne.
Responding to the developer's brief to produce beautiful, thoughtful, refined, and efficient homes, we focused on aesthetics, context, and sustainability.
Achieving an outstanding NatHERS rating of 8.2 stars, Slate House is Brighton’s first fossil-fuel-free multi-residential apartment building.
The design of Slate House is the careful articulation of built form to fit gently within the street’s character; sensitive to the size and presence of other houses and to its direct neighbor Cardinia House, a significant heritage home.
We looked to Architecture that spoke of scale, texture, and materiality to inform the design and aimed for the building to appear domestic, small, and loveable.
The intention was a synthesis of the prevailing rich history and domestic context, to show there was an alternative to the area’s prevalent, overbearing monolithic developments.
Slate House is sited on a T shape block, allowing for two frontages, each exhibiting a different identity. The main entrance on Bleazby Ave is pedestrian, befitting of the quiet and leafy cul-de-sac.
The Male Street frontage, a busier and wider vehicle thoroughfare, incorporates the entry to basement parking yet has the appearance of a much more private residence, relative in scale to nearby Victorian villas and Edwardian homesteads.
In the early design stages, we took an audit of buildings in the local vicinity which revealed a dominance of slate, terracotta, and brick and white masonry.
By utilizing these three distinct materials in the construction we were able to break down a large building into smaller volumes.
Rather than appearing as one form, it poses questions of singular buildings.
The materiality is simple, honest, and beautiful, and requires minimal maintenance. Slate House is designed to endure.
