Small Studio for Drawing, Painting, and Sculpture
Small Studio for Drawing, Painting, and Sculpture
Christian Tonko
WINDOWS/GLAZING
Tischlerei Sigg, Hörbranz
STEEL CONSTRUCTION
Chrysanth Thaler Stahlbau, Hard
BUILDER
Zimmermann Bau, Bregenz
FAÇADE
Spiegel Fassadenbau, Sulz
PHOTOS
Eduard Hueber / archphoto
BUDGET
$100K - 500K
AREA
0 sqft - 1000 sqft
YEAR
2014
LOCATION
Bregenz, Austria
CATEGORY
Educational › Other
This small studio for drawing, painting, and sculpture acts as a visual device itself by bi-directionally framing its surroundings.
To the southeast, a great amount of daylight enters through tilted glazing. To block direct sun, if desired, and to enable the modulation of light and climatic conditions, exterior screens are deployed.
To the northwest, a system of frames is installed that enable bronze sculptures to be suspended in front of the glass and in direct sight of the working artist.
In that spot, the bronze sculptures receive their natural patina while being staged as a motive of reflection and confrontation for the artist.
The building features two separate levels, which serve different functions. The upper level is designed to be a workplace where most of the sketches and small watercolors are done, while on the lower level, medium-sized canvases and small sculptures will be produced.
The semi-industrial character of the project stems from the reference to the typology of the shed roof factory.
Here, this typology is being reduced to its simplest case — a single box with a single skylight.
The use of raw and untreated materials contributes to the character of a workshop.
The façade panels are made from weathering steel, while the interior surfaces are made from raw concrete, raw steel, and untreated oak.
The final configuration of the project remains determined by site conditions, as it is fitted into the plot boundaries while negotiating a desired minimal disturbance of the neighboring residential building, height restriction, and the hillside situation with certain requirements of floor area and ceiling height.
On an underlying conceptual level, an ancient optical device — the camera lucida — inspires the design.
On the one hand, it is very literally a bright chamber — constructed to achieve good light conditions, which can be modulated to desired levels.
At the same time, the studio itself acts as an optical framing device similar to the original function of the camera lucida: as a drawing aid.
