Photo Studio

Photo Studio
© Yasuhiro Nakayama

PHOTO STUDIO

Hiroki Tominaga-Atelier + Yae Fujima1

ARCHITECTS
Hiroki Tominaga-atelier, Yae Fujima

AREA
203 M²

YEAR
2019

LOCATION
Tokyo, Japan

CATEGORY
Offices, Offices Interiors

Text description provided by architect.

This building is a photo studio for taking pictures of products and magazines in a residential scene.

Photo Studio
© Yasuhiro Nakayama
Photo Studio
© Yasuhiro Nakayama

This building was built under the steel frame of an existing warehouse as an independent wooden one-story house.

And it was required to combine the several residential scenes.

Photo Studio
© Yasuhiro Nakayama
Photo Studio
© Yasuhiro Nakayama

At first, a photo studio needs light from the south.

By making the required plan long in the east-west direction uneven in the north-south direction, it becomes possible to take a long-distance photo shooting by changing the angle.

Photo Studio
© Yasuhiro Nakayama
Photo Studio
© Yasuhiro Nakayama

Finishing can change every few years, so the L-shaped walls, which have the corner as a shooting spot, are connected by fittings.

At the top of the 2.7 meter-high wall, there is a small ceiling, such as a coping, that framing the photograph, and above that, there is a lighting layer.

Photo Studio
© Yasuhiro Nakayama
Photo Studio
© Yasuhiro Nakayama

There are make-up rooms attached to the studio. The space between the main building and the existing building is a semi-outdoor space with no air conditioning.

At first, it was proposed to have a span of normal wooden houses, but considering the location of the crew, the span exceeded 5 meters.

Photo Studio
© Yasuhiro Nakayama
Photo Studio
© Yasuhiro Nakayama

Here, we considered the construction of a frame using only 120mm squares of wood, which is generally distributed, without using laminated wood.

In the first place, considering the wooden construction method, the strength of each wood is different, and each wood is distorted or cracked, so it is not rational from the structural point of view.

Photo Studio
© Yasuhiro Nakayama
Photo Studio
© Yasuhiro Nakayama

Instead, the modern wooden construction method has ambiguous aspects such as the warmth, hygroscopicity, heat insulation, and plasticity of wood.

In order to maximize such ambiguity, 12 pieces of 3 m and 4 m long square timber were bundled together to make a structurally redundant "stacked beam" and presented in the lighting layer.

Photo Studio
© Yasuhiro Nakayama
Photo Studio
© Yasuhiro Nakayama
Photo Studio
© Yasuhiro Nakayama


Photo Studio
Photo Studio
Photo Studio