Buduo Teahouse

Text description provided by architect.

Early last year, a “Trump Buddha” statue merging the image of Donald Trump with Chinese Zen became a social media hit. The humorous and surreal statue is designed by Wanmu Shazi, a creator with diverse roles.

UNDEFINED ROLES.

Wanmu Shazi has multiple identities. He started his career in wooden furniture sector.

Several years ago, while searching for a new site for his woodwork workshop named “Wanmu Gongfang”, an abandoned cement factory in Fengnan, Xiamen caught the eye of Wanmu Shazi.

Through renovating the factory, Wanmu Shazi started his exploration in spatial design.

The abandoned cement factory is situated at the foot of a hill, surrounded by verdant hills in the distance. With farmland nearby, one can hear roosters crow and dogs bark on the site.

Several giant “cement cylinders” left behind in the old factory, with their towering space, gave Wanmu Shazi design inspiration.

While taking into account the core functional needs of his woodwork workshop, he also expects to attract more like-minded creatives through a variety of unique spaces.

Regenerated “cement cylinders.” Though located in the suburb with inconvenient transportation, the renovated old factory has attracted a great many visitors and unexpectedly becomes a hot destination that gains much attention on social media.

These distinctive spaces attract a growing number of visitors. Meanwhile, after repeated renovation interventions in the former cement factory, the designer’s understanding of space design has become increasingly clear.

“Space is sometimes just like people. With a good figure, complexion and temperament, there is no need for much decoration.” Wanmu Shazi explained. When he took on the renovation of the remaining six “cement cylinders” in the factory three years ago, Wanmu Shazi had a clear idea in mind.

Perhaps because of such a conviction, he named this renovated space “Buduo” (means “not much” in Chinese). There is not much decoration, only pure spatial expressions and intimate material finishes.

The foyer is accented by a green tree, which blurs the boundary between interior and outside along with moss and soil underneath and daylight brought in by the skylight.

Like a courtyard, the foyer connects and leads to other five round spaces through door openings.

Window openings of varied sizes not only introduce outside landscape, but also create a unique light environment in the interior.

Tactile wooden floor, expansive thick walls, plain textured coatings, vents hidden near skirtings and unadorned ceiling unify the spatial ambience, and accentuates the pure sense of cohesion of the circular space.

“As renovating the space, I repeatedly walked in the space, to find the most comfortable scale and the most appropriate positions for window openings.

Though the spatial scale is not large, this project took more than two years.

Wanmu Shazi describes the spatial ambience as “Qi”. He believes that quality design needs to focus on “Qi” rather than form, as the spatial atmosphere can not only stimulate sensory experience but also evoke emotions.

The space seems to have the magic of relaxing both the body and mind, encouraging visitors to enjoy the outdoor scenery, dance or interact.

DIVERSE POSSIBILITIES.

Operation of space is essential. After the successful transformation of the old cement factory, it has attracted numerous visitors such as creators and young artists.

More importantly, various distinctive spaces such as “Buduo” are created for receiving creative professional across the world, and offering venues for exhibitions and exchanges.

The renewed spaces help form a complete chain from R&D to execution and mass production for Wanmu Gongfang. “Young creatives and craftsmen need a better platform for creation.” With a mindset of having fun and exploring diverse roles, Wanmu Shazi has established a chain for creativity incubation.