Qintai Art Museum
QINTAI ART MUSEUM
Atelier Deshaus
ARCHITECTS
Atelier Deshaus
COLLABORATION
CITIC General Institute of Architectural Design and Research Co. Ltd
DESIGN TEAM
Yichun Liu, Yu Chen, Longhai Wang, Chenchen Hu, Hao Chen, Wen Shen, Chihhan Chen, Yun Tang, Xiaoqi Zhang, Wenchao Wu, Rui Deng, Xin Liu, Zirui Pang, Jiawen Wang, Ye Cao
STRUCTURAL CONSULTANT
AND Office
INTERIOR CONTRACTOR
Shenzhenwenye Decoration&Design Engineering Co.Ltd
GENERAL CONTRACTOR
China Construction Third Engineering Bureau Group Co.Ltd
LIGHTING DESIGN
Shanghai Zen Lighting Co., Ltd.
PHOTOGRAPHS
Fangfang Tian, Shengliang Su
FACADE DESIGN
Shanghai CIMA Engineering Consulting Co. Ltd.
CLIENT
Wuhan Real Estate Construction & Investment (Group) Co., Ltd
SIGNAGE DESIGN
Nanjing Hanqingtang Design Co. Ltd
LANDSCAPE DESIGN
Wuhan Institute of Landscape Architectural Design Co. Ltd
FLOODLIGHTING DESIGN
Huajian new era Wuhan Engineering Design Co. Ltd
CATEGORY
Museums & Exhibit
LOCATION
Wuhan, China
YEAR
2022
AREA
43080 m²
Text description provided by architect.
Qintai Art Museum is located on the lakeside of Moon Lake in Wuhan’s Hanyang District, facing Meizi Hill across the lake to the south.
In order to reduce the weight of the architectural mass on the natural surface of the lake, the form of an undulating natural terrain is used in the direction of the lake, while sinking part of the exhibition spaces underground.
This both uses the underground space, and also minimizes the massing on the ground. On the side facing the city road, on the other hand, a vertical facade continues to uphold architecture’s urbanity.
The undulating roof is formed by an abstract stepped terrace following topographic contours. The risers of the steps are lined using silver metallic surfaces, while the treads are covered with white stones and low vegetation, traversed by winding planked walking paths.
These rooftop paths are entirely open to the public, connecting to the Moon Lake, as well as the exits of the museum exhibition spaces, the space for public education, the art shop, the café, and the other public spaces.
Thus, they form a public space framework independent from the exhibition spaces of the museum. The activities of the public are part of the architectural surface.
The art museum architecture as intervention has redefined the urban space on the south bank of Moon Lake.
To the west of the museum the space is reserved for an urban plaza, interacting in the future with the Wuhan Library and Drama Centre under planning.
The main entrance to the museum, as well as the programs with strong public tenets including the Creative Cultural Spaces, are all placed on this side, where a subtly inwardly-curved façade together with the place creates a sense of enclosure.
From the plaza there are ramped paths linking to the second-floor café and rooftop terrace, establishing a public circulation that could still operate after the museum closes. Operationally, this strengthens the openness of the museum and the urbanity of the architecture.
The main hall, together with the undulating roofscape, creates a unique space for exhibition.
The space of the exhibition uses floating exhibition walls, and there is no longer a set circulation for visiting the exhibition.
The walls are both surfaces for exhibiting, as well as the structure for the undulating roof.
The exhibition spaces for contemporary art, modern art, classical art, as well as for special exhibitions, could be independently accessed, or sequentially linked, having great functional flexibility.
