Pavilion of Sciences Po
Pavilion of Sciences Po
Moreau Kusunoki
GENERAL CONTRACTOR
Bouygues Renovation Private
LOCATION
Paris, France
YEAR
2021
SUSTAINABILITY ENGINEERING
Franck Boutté Consultants
LANDSCAPE
Mugo
MEP
Barbanel
URBAN PLANNING
Sasaki
HVAC CONSULTANTS
Lefort
ELECTRICAL CONSULTANTS
Sdel
CATEGORY
University
PROJECT MANAGMENT
Corelo
PROMOTER
Groupe Sogelym Dixence
COORDINATION ARCHITECTS
Wilmotte & Associés
HERITAGE ARCHITECTS
Pierre Bortolussi
METALWORKS
Ghpartners
GLAZED FACADE
Mci
TECHNICAL INSPECTION BOARD
Socotec
FACADE ENGINEERING
Terrel Group
CONSTRUCTION PROJECT MANAGEMENT
Bouygues Rénovation Privée
CLIENT
La Fondation Nationale Des Sciences Politiques (Fnsp)
Moreau Kusunoki completes the central Pavilion of Sciences Po’s new urban campus as part of the school’s “Cœur 2022” project, redefining the typology of the contemporary urban campus in the delicate built fabric of central Paris.
As part of the conversion project developed in partnership with Wilmotte & Associés and heritage architect Pierre Bortolussi, Moreau Kusunoki focused on the contemporary extensions, namely the Pavilion and the main courtyard in relation to the underground library.
Defying the trend of the exodus of urban campuses away from city centers into sub-urban locations, Sciences Po’s intervention “Cœur 2022” consciously implements itself in the historic Hôtel de l’Artillerie at the very heart of the Rive Gauche in the 7th arrondissement of Paris.
Surrounded by numerous governmental, cultural and long-standing educational institutions, Sciences Po physically and symbolically occupies the intersection of the political and academic hearts of Paris.
With this strategic centripetal expansion Sciences Po redefines the typology of the 21st-century urban campus as a place of communication, integration, and transparency.
Nestled within a former monastery, introverted and withdrawn from its surrounding dense historic city fabric, the site of the Hôtel de l’Artillerie is exceptional in terms of its scale and its heritage value.
Three historic courtyards, each distinct in their architectural language and landscaping, the Cours Gribeauval, Sébastopol, and Teuille de Beaulieu weave together the different units of the campus.
“Emergence”, a glazed pavilion positioned in the largest courtyard across the land-scaped steps, is the symbol of the new campus, transparent and open to the world.
The large pivoting windows on the main facade, in an open position, push the feeling of continuity between the interior and the exterior to its climax.
The principles of openness and transparency and the dissolution of the boundary between inside and outside are at the heart of the Pavilion’s conception, reflecting the university’s own values of diversity and exchange.
Beyond the Pavilion, the recognizable focal point of the project, the complete intervention includes the creation of underground spaces which accommodate, most notably, the new library lit by glass canopies and the sculpted floor of the courts.
The Pavilion houses student study and workspaces along with its upper floors, and a cafeteria on the ground and underground floors.
Both levels open directly onto the outside are internally linked through the stepping surface.
The court is excavated amphitheatrically, allowing the Pavilion’s ground floor to open onto a terrace, while the underground level spills out onto the garden.
The excavated space is surrounded along the remaining sides by research spaces to the east, the new library to the south, and a temporary exhibition space to the west.
The stepped space provides a mix of landscaped and hardscaped outdoor spaces for everyday use by students and staff and doubles up as an outdoor ceremony hall for celebrations and special events, directly fronted by the Pavilion as its stage.
In its play with different nuances of grey — the grey of the concrete, of the steel, of the skies of Paris as reflected in the glass — the project creates a universal and timeless aesthetic, free of superficial expressive acrobatics.
It brings out the honest and raw beauty of the slabs, the columns, and the volumes, all in harmony with the dignified and sparsely decorated architecture of the heritage buildings.
