Sandy Point house
SANDY POINT HOUSE
Kennedy Nolan Architects
ARCHITECTS
Kennedy Nolan Architects
DESIGN TEAM
Matilda Blazey, Catherine Blamey, Michael Macleod
COLLABORATORS
Gene Laity Builders
ENGINEERING
Tim Hall and Associates
PHOTOGRAPHS
Derek Swalwell
AREA
215 m²
YEAR
2018
LOCATION
Sandy Point, Australia
CATEGORY
Houses
Text description provided by architect.
Perched on the coastal dunes of eastern Victoria, this is a holiday house for a family who have a long association with the modest beachside hamlet of Sandy Point.
Almost three hours from Melbourne, this house is designed not so much for weekends as for extended stays - in both summer and winter.
The house is principally built from timber suitable to its bushfire prone setting, ultimately designed to grey off and be camouflaged in its indigenous planted setting.
The underlying aspiration of the design is to make a house which reflects and amplifies a genuine connection to place which has evolved over generations of family holidays.
Some of our considerations: A house for multiple generations, spaces to be apart, with a sense of always being together.
The weather is often bucolic, but is famously windy and can be wretched - the owners find beauty and a deep connection to all conditions. The house is uninhabited for long stretches, it needed to be secure and low maintenance.
Sandy Point is a community of modest dwellings and dirt roads. Our Clients wanted a house which did not shout out in this setting. We approached the design with a sort of instinctive parametric taking into account these considerations.
A shaping of plan, form and materiality based on the unique characteristics of the site and an interpretation of family traditions of beachside habitation. Underlying this understanding, we also sought to imagine an idealised coastal experience.
This is a pinwheel house arranged around a protected inner courtyard – a refuge from the prevailing winds and weather. The courtyard is like a cloister in that it provides a protected external connection between the four separate zones.
There are no internal connections, one must go outside to move between the zones. The courtyard is used intensely: It is the entry to the house Nearly all rooms open off the courtyard, It provides protected external space and circulation The courtyard is a mediator of level changes.
There is a sensual experience of place as you move from room to room; a view of stars, a burst of cold air, the sound of the ocean crashing.
And because the rooms that spin off the courtyard are arranged to reflect the terrain of the steep site, moving through the house you are reminded of the ground beneath your feet as you ascend or descend between rooms.
The courtyard arrangement promotes a sensory awareness of place but it also supports a nuanced social experience in much the same way a cloister traditionally works.
It offers seclusion in the separate zones but then facilitates encounters in a neutral common space – either in an organised or a chance way.
Because holiday houses often accommodate visitors, this arrangement makes it an easy place to both be a guest and to host a guest.
This is a place deeply embedded in its landscape, derived from memories of family holidays past and somewhere new memories can be nurtured.
