Eness

Sky Castle

Sky Castle
© zhuruiphoto

SKY CASTLE

ENESS

INDUSTRIAL DESIGN
Lachlan Major

AREA
500 m²

YEAR
2020

PHOTOGRAPHS
zhuruiphoto

ARTIST
Nimrod Weis

CITY
Melbourne

COUNTRY
Australia

CATEGORY
Installation, Temporary Installations

SOUND DESIGN
Jarrod Hambleton

ARTISTS
ENESS

PROJECT MANAGEMENT
Lachlan Major

PROGRAMMING
Adam Templeton, Bruno Herfst

ARTWORK NARRATIVE
Lyndal Hall

Sky Castle is a dreamy, interactive sound and light installation, featuring a cluster of inflatable arches that span in colourful symphony across public space. As visitors move through the arches, their movement powers and progresses the melodic xylophone soundscape stimulating colour changes in each arch.

Sky Castle
Sky Castle at Shenzhen’s Civic Center. Image © zhuruiphoto

Light, colour and music have been orchestrated to evoke the joy and hope that rainbows bring after every storm. As more people join the journey, the contemporary score crescendos in intensity creating a lush, orchestral piece that is different every night as it responds to crowd flow and fluctuations.

Sky Castle launched in Fed Square in 2020 to celebrate Melbourne’s emergence from its 3rd lockdown. A supersized, mega Sky Castle appeared in Shenzhen at the end of 2020 and Illuminate Adelaide in mid-2021. The Sky Castle will next appear at the Brisbane Festival 3-12 September 2021.

Sky Castle
Sky Castle at Shenzhen’s Civic Center. Image © zhuruiphoto

The Sky Castle story was developed during the lockdown as an expression of freedom from isolation and the positive clear skies that come after difficult times. In terms of design, it is an exploration of inflatables as temporary architecture.

This is the tallest temporary structure that ENESS has created and it is designed to be modular. The total footprint of the full version is 500 square metres.

Sky Castle
© zhuruiphoto
Sky Castle
© zhuruiphoto

At this size, the installation begins to feel like a little city and poses interesting questions about the permanency of public art structures, the potential for our public spaces to change radically in very short periods of time and how post-pandemic, we may wish to construct and experience our cities differently.

Eness
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Eness
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