Cultural Centre Bad Radkersburg
CULTURAL CENTRE BAD RADKERSBURG
Gangoly & Kristiner Architects
ARCHITECTS
Gangoly & Kristiner Architects
ACOUSTICS
Gerhard Tomberger
CONSTRUCTION PHYSICS
Gerhard Tomberger
BANISTER MOTIFS
Bohatsch Visual Communication
ENGINEERING OF SERVICES
Die Haustechniker, Jennersdorf, Helmut Essler
COLLABORATORS
Silvia Gütl, Gabriele Leitner, Julia Lainer, Marion Mischke, Irene Nikolaus, Adolf Rappold
STRUCTURAL ENGINEERING
DI Hans Boyer, Graz, Johann Tauss, Kaindorf
LOCATION
Hauptplatz 10, 8490 Bad Radkersburg, Austria
CATEGORY
Cultural Center, Extension
PROJECT YEAR
2009
Text description provided by architect.
In addition to topics regarding energy and production technology, the use of existing building structures is one of the most essential topics in sustainable architecture. New interpretation of the existing and a thematical ‘modernisation’ are at the focus of our reflections in building projects that involve both a historical background and more recent building structures.
The implementation of an event centre in the historical and largely protected old city centre of Bad Radkersburg serves as the built example of these considerations.
Bad Radkersburg largely owes its business potential to a thermal spring, which was discovered in the 1970s and led to an abundance of spas and hotels in the town’s suburbs, albeit failing to bring business into the historic centre.
The idea was to change this through the impetus of the new cultural centre in the old town and against all odds and resisting the obvious position at the spa area in the town’s suburbs, the decision was made to place this centre in three listed buildings on the main square.
With this decision came the challenge of the spatial programme: not one single large, multifunctional hall but rather several rooms of different sizes, different atmospheres, offering different possibilities of use, were adapted and placed in the existing structures.
Depending on requirements, these rooms can now be used individually or combined or even as the entire cultural centre.
The inner courtyard, sheltered with a glass roof with textile canopies, was adapted to a foyer. From here all rooms and halls are accessible.
A highly insulated ‘blackbox’, accessible via the ground floor with space for approximately 250 people, is used mainly for electronic music, film or theatre events.
The concert hall above, for 400 people, with its timber cladding painted in different shades of white, is particularly apt for chamber music and selective openings offer particular views.
Its height development follows acoustic and lighting considerations on the one hand whilst, on the other hand, it refers to the small-scale roof structure of neighbouring buildings.
This central design measure is completed by the decision to clad the multifariously differentiated building body with Corten steel. Through the process of aging it will develop an appearance similar to
the tiled roofs nearby; thus this material offers correspondence without shying from the obligation to deliver contemporary architecture.
In addition to the large halls which were designed in contrasting white and black, a large number of smaller event rooms clearly differ in their atmospheres.Inside the building the light is soft, lending a velvety aspect to surfaces.
Public access and gathering zones reflect grey and terracotta shades from the old town centre. The banister motifs developed by Bohatsch Visual Communication refer to the importance of the river Mur for the town’s history.
There was a conscious decision not to install catering services in the centre itself. Both the main square and Frauenplatz square to the east are conceived as an extended foyer and offer the corresponding infrastructure, this again will help to promote businesses in the old city of Bad Radkersburg.
