Vegetation Room Inhotim

Vegetation Room Inhotim
© Cristina Iglesias

VEGETATION ROOM INHOTIM

Cristina Iglesias

PHOTOGRAPHS
Cristina Iglesias

AREA
81.0 m²

YEAR
2012

LOCATION
Brumadinho, Brazil

CATEGORY
Pavilion

I found even the journey along the road from Belo Horizonte to Inhotim, in Minas Gerais, deeply affecting.

Vegetation Room Inhotim
© Cristina Iglesias
Vegetation Room Inhotim
© Cristina Iglesias

As we drove through the villages to Brumadinho alongside the railway tracks that carry metal from the mines, everything seemed to be covered in a reddish, ferrous dust that gave it all the look of an aged sepia photograph.

I noticed several garages where dilapidated cars were being repaired, and the gaping wounds in the mountainsides between the lush, wild vegetation.

I had those images in mind when I entered the garden. Suddenly, as if a perfect oasis after all those tortuous roads, we saw Inhotim: a laboratory for botany and art, a place intended to encourage education and debate.

Vegetation Room Inhotim
© Cristina Iglesias
Vegetation Room Inhotim
© Cristina Iglesias

That initial experience provided the basic idea for the project. We looked for a place that was wild but not too far from the garden.

I imagined a room in the forest close to the more orderly garden, thus creating a new path to one of the areas of vegetation in Inhotim that act as a reminder of the original forest.

Vegetation Room Inhotim
© Cristina Iglesias
Vegetation Room Inhotim
© Cristina Iglesias

I built a vegetation room with no roof, open to the sky in the middle of the forest, with stainless-steel walls that reflect the surrounding nature and thus disappear, as if camouflaged.

It has four entrances, one on each side. Each door opens onto a space with inviting little nooks and crannies and with openings

Vegetation Room Inhotim
© Cristina Iglesias
Vegetation Room Inhotim
© Cristina Iglesias

into the other internal spaces, which the visitor can peer into, but not enter. The walls are a fictional vegetal assemblage with a repeated motif that gradually mutates from one space to another, with almost imperceptibly multiplying details.

It is not possible to gain access from one space to the other when inside the structure. You have to leave the sculpture in whose outer walls is reflected the surrounding environment in order to find another way in.

Vegetation Room Inhotim
© Cristina Iglesias
Vegetation Room Inhotim
© Cristina Iglesias

When you enter from another side, what you will experience is very similar to that you just left. Although you hear the murmur of running water, it is only when you enter the door most hidden by undergrowth that you are led to the heart of the labyrinth where, under a metallic mesh floor, the water forms a whirlpool.


Vegetation Room Inhotim
© Cristina Iglesias
Vegetation Room Inhotim
© Cristina Iglesias
Vegetation Room Inhotim
© Cristina Iglesias
Vegetation Room Inhotim
© Cristina Iglesias


Vegetation Room Inhotim
Sketch
Vegetation Room Inhotim
Sketch


Vegetation Room Inhotim
Sketch
Vegetation Room Inhotim
Sketch
Vegetation Room Inhotim
Sketch
Vegetation Room Inhotim
Sketch


Vegetation Room Inhotim
Model
Vegetation Room Inhotim
Model