Jameel Arts Centre Dubai
JAMEEL ARTS CENTRE DUBAI
Serie Architects
ARCHITECTS
Serie Architects
LEAD ARCHITECTS
Christopher Lee, Principal of Serie Architects
PHOTOGRAPHS
Mohamed Somji, Rory Gardiner, Simon Whittle
AREA
10000.0 m2
YEAR
2018
LOCATION
Dubái - United Arab Emirates
CATEGORY
Visual Arts Center
Text description provided by architect.
Designed as a 10,000-square-metre, three-storey, multi-disciplinary space by UK-based Serie Architects, Jameel Arts Centre is the first non-governmental contemporary arts institution of its kind in the Gulf.
The kunsthalle-inspired complex includes more than 1,000 square metres of dedicated gallery space, plus a 300-square-metre open-access research centre; events and screening spaces; a roof terrace; a restaurant; and a book and design shop.
The Centre’s adaptable spaces reflect Art Jameel’s commitment to diverse programming across mediums and nurturing artist careers, as the galleries are deliberately designed in a variety of sizes and volumetric proportions to allow a flexible range of settings for exhibitions, site-specific installations and new commissions.
Awarded to Serie Architects in 2014 through an international invitational competition, the design of Jameel Arts Centre was initially conceived of as a family of forms bounded by a low colonnade.
Inspiration for the building’s massing and spatiality draws from two regional architectural traditions on both intimate and community-wide scales:
the early Emirati Sha’abi houses that featured a series of rooms circling a courtyard, and the Madinat style of city planning characterised by an accumulation of houses with courtyards.
Through a repeated juxtaposition of geometric forms and gardens, the Centre’s design fragments and tessellates the courtyard, continually layering a relationship between inside and outside, art and nature.
Christopher Lee, Principal of Serie Architects, explained “We worked very closely with Art Jameel, listening to their needs, responding with architectural ideas, and discursively refining them.
The architecture that emerged is one that is able to accommodate a wide range of uses and continues to evolve with the city it serves. It acts as a background structure for the life of the centre to unfold, without disappearing from view.
Positioning galleries around courtyard gardens and framed views of the waterfront also serves to create moments of rest and connection, while providing potential spaces for commissioned installations.”
Expanding beyond the static white cube experience, the Centre’s design emphasises a connection with the surroundings, a perspective lived out in Art Jameel’s programming.
Set on a sliver of land that reaches out into Dubai Creek, Jameel Arts Centre is at once connected to and separated from the iconic skyscraper-filled skyline of Dubai. Colonnades create a porous interface between intimate gallery spaces and the social life of the public waterfront promenade, inviting visitors to navigate through and along the space.
The decision to overlay galleries also serves to provide sightlines to several spaces from a single vantage point – be it a garden or another exhibition space – continually building connections between spaces and initiating conversation among viewers.
The building’s surfaces incorporate an interplay between raw concrete and semi-reflective aluminium cladding, creating a subtle shimmer in response to the surrounding water and atmospheric changes, while its clustered form creates self-shading courtyards and allows for cross ventilation.
The series of courtyard desert gardens that punctuate the architecture ensure that alternating encounters of art and landscape remain integral to the experience of the building, encouraging moments of repose.
Designed by renowned landscape architect Anouk Vogel, Jameel Arts Centre’s seven garden installations reflect specific local and global desert biomes, with 33 species represented.
The gardens feature a collection of sculptural plants native to the world’s deserts, while striking vegetal textures, subtle mineral hues and unusual paving provide each garden with a unique character.
The distinct vegetation includes several endangered plants facing loss of habitat that have been individually saved from sites marked for destruction; the rare transplants include a Sesame Bush that is between 220 and 300 years old.
Anouk Vogel, landscape architect, said “Plants grow according to geological and climatological borders, not political ones. Drawing connections across the globe, the individual gardens are inspired on the world’s major deserts:
the Arabian, Australian, Chihuahuan, Namibian, Socotran and Sonoran deserts, as well as the Spiny Forest of Madagascar.
The juxtaposition of their strong and radically different expressions enhance each space’s particular features, echoing the Centre’s focus on confluence and diverse communities.”
The gardens also provide inspiration to a range of commissions and interventions debuting at the opening. On the roof terrace is the winning Art Jameel Commissions: Sculpture installation by Kuwaiti artists Alia Farid and Aseel AlYaqoub, entitled Contrary Life: A Botanical Light Garden Devoted to Trees.
Shaikha Al Mazrou presents the first in an annual series of commissioned projects for the Artist’s Garden, and a sculptural work by Vikram Divecha will be installed within the garden spaces in the coming months.
